Dancing Text

Friday, January 18, 2013

KAABA A HINDU TEMPLE TAKEN OVER BY MUSLIMS

KING VIKRAMADITYA INSCRIPTION ON A GOLD DISH HUNG INSIDE THE KAABA

In pure scientific study about the Historical Muhammad raises basic questions concerning the prophet's role as a moral paragon; the sources of Islamic law; and the God-given nature of the Koran. The scientists even doubt the existence of Muhammad. Scientists say that the Koran is a not a product of Muhammad or even of Arabia, but a collection of materials stitched together to meet the needs of a later age. There was no Islam until two or three hundred years after the traditional version at around 830CE. The Arab tribesmen who conquered in the seventh century vast territory were not Moslems, but were persons who worshiped idols and are scientists call them pagans.

Even though Prophet Muhammad was born in the full light of history the earliest document date about a century and a half after his death. Not only does this long lapse of time cast doubt on their accuracy, but internal evidence strongly suggests the Arabic sources were composed in the context of intense partisan quarrels over the prophet's life. The earliest sources like papyri, inscriptions, and coins on the prophet's life, contradict the standard biography. An inscription and a Greek account fix Muhammad's birth in 552, not 570. Muhammad's career took place not in Mecca but hundreds of kilometers to the north. Yehuda Nevo. The classical Arabic language was developed not in today's Saudi Arabia but in the Levant. 


Long before Islam came in to existence, Kaaba, in Mecca in Saudi Arabia was a pilgrimage site. The word Kaaba might have come from the Tamil Language which originated around 1700BC. In Tamil Nadu Kabaalishwaran temple is Lord Shiva’s temple and Kabaali refers to Lord Shiva. The black stone at Kaaba is held sacred and holy in Islam and is called "Hajre Aswad" from the Sanskrit word Sanghey Ashweta or Non-white stone. The Shiva Lingam is also called Sanghey Ashweta. So what is in Kaaba could be the same what Hindus worship. The pedestal Maqam-E-Ibrahim at the centre of the Kaaba is octagonal in shape. In Hinduism, the pedestal of Brahma the creator is also octagonal in shape. Muslim pilgrims visiting the Kaaba temple go around it seven times. In no other mosque does the circumambulation prevail. Hindus invariably circumambulate or Pradakshina, around their deities. This is yet another proof that the Kaaba shrine is a pre-Islamic. In Shiva temples Hindus always practice circumambulation or Pradakshina. Just as in Hinduism, the custom of circumambulation by muslim pilgrims around the entire Kaaba building seven times shows that the claim that in Islam they don’t worship stones is not true.


Allah was one of the deities in Kaaba long before Islam was founded. It might come as a stunning revelation to many that the word ‘ALLAH’ itself is Sanskrit. In Sanskrit language Allah, Akka and Amba are synonyms. They signify a goddess or mother. The term ‘ALLAH’ forms part of Sanskrit chants invoking goddess Durga, also known as Bhavani, Chandi and Mahishasurmardini. The Islamic word for God is., therefore, not an innovation but the ancient Sanskrit appellation retained and continued by Islam. Allah means mother or goddess and mother goddess.


The King Vikramaditya inscription was found on a gold dish hung inside the Kaaba shrine in Mecca, proving beyond doubt that the Arabian Peninsula formed a part of his Indian Empire. (Ref: page 315 of a volume known as ‘Sayar-ul-Okul’ treasured in the Makhtab-e-Sultania library in Istanbul, Turkey). King Vikrama’s preachers had succeeded in spreading the Vedic Hindu sacred scriptures in Arabia and Arabs were once followers of the Indian Vedic way of life. The annual fair known as OKAJ which used to be held every year around the Kaaba temple in Mecca and the present annual hajj of the Muslims to the Kaaba is of earlier pre-Islamic congregation. . Even to this day ancient Siva emblems can be seen. It is the Shankara (Siva) stone that Muslim pilgrims reverently touch and kiss in the Kaaba.


Muslims shave their head and beard and don special sacred attire that consists of two seamless sheets of white cloth. One is to be worn round the waist and the other over the shoulders. Both these rites are remnants of the old Vedic practice of entering Hindu temples clean and with holy seamless white sheets. According to the Encyclopedia Britannica, the Kaaba has 360 idols. Traditional accounts mention that one of the deities among the 360 destroyed when the place was stormed was that of Saturn; another was of the Moon and yet another was one called Allah. That shows that in the Kaaba the Arabs worshipped the nine planets in pre-Islamic days. In India the practice of ‘Navagraha’ puja, that is worship of the nine planets, is still in vogue. Two of these nine are Saturn and Moon. In India the crescent moon is always painted across the forehead of the Siva symbol. Since that symbol was associated with the Siva emblem in Kaaba it came to be grafted on the flag of Islam.


The Hindu Vedic letter in Sanskrit "OM" if seen in a mirror one can see the Arabic numbers 786 and this is the most sacred number for Muslims and copies of the Arabic Koran have the mysterious figure 786 imprinted on them. In their ignorance simply they do not realize that this special number is nothing more than the holiest of Vedic symbols misread and none of the Arabic scholar has been able to determine how they chose 786 as the sacred for them. In short muslims are also going around Siva Lingam at Kaaba, seven times as Hindus go around it seven times. 


A few miles away from Mecca are a big signboard which bars the entry of any non-Muslim into the area. This is a reminder of the days when the Kaaba was stormed and captured solely for the newly established faith of Islam. The object in barring entry of non-Muslims was obviously to prevent its recapture. Kaaba is clothed in a black shroud. This custom also originated from the days when it was thought necessary to discourage its recapture by camouflaging it. 


Another Hindu tradition associated with the Kaaba is that of the sacred stream Ganga (sacred waters of the Ganges river). According to the Hindu tradition Ganga is also inseparable from the Shiva emblem as the crescent moon. Wherever there is a Siva emblem, Ganga must co-exist. True to that association a sacred fount exists near the Kaaba. Its water is held sacred because it has been traditionally regarded as Ganga since pre-Islamic times (Zam-Zam water).


& Another article...

Kaaba a Hindu Temple?
[Note: A recent archeological find in Kuwait unearthed a gold-plated statue of the Hindu deity Ganesh. A Muslim resident of Kuwait requested historical research material that can help explain the connection between Hindu civilisation and Arabia.]
Was the Kaaba Originally a Hindu Temple?
By P.N. Oak (Historian)
Glancing through some research material recently, I was pleasantly surprised to come across a reference to a king Vikramaditya inscription found in the Kaaba in Mecca proving beyond doubt that the Arabian Peninsula formed a part of his Indian Empire.
The text of the crucial Vikramaditya inscription, found inscribed on a gold dish hung inside the Kaaba shrine in Mecca, is found recorded on page 315 of a volume known as ‘Sayar-ul-Okul’ treasured in the Makhtab-e-Sultania library in Istanbul, Turkey. Rendered in free English the inscription says:
"Fortunate are those who were born (and lived) during king Vikram’s reign. He was a noble, generous dutiful ruler, devoted to the welfare of his subjects. But at that time we Arabs, oblivious of God, were lost in sensual pleasures. Plotting and torture were rampant. The darkness of ignorance had enveloped our country. Like the lamb struggling for her life in the cruel paws of a wolf we Arabs were caught up in ignorance. The entire country was enveloped in a darkness so intense as on a new moon night. But the present dawn and pleasant sunshine of education is the result of the favour of the noble king Vikramaditya whose benevolent supervision did not lose sight of us- foreigners as we were. He spread his sacred religion amongst us and sent scholars whose brilliance shone like that of the sun from his country to ours. These scholars and preceptors through whose benevolence we were once again made cognisant of the presence of God, introduced to His sacred existence and put on the road of Truth, had come to our country to preach their religion and impart education at king Vikramaditya’s behest."
For those who would like to read the Arabic wording I reproduce it hereunder in Roman script:
"Itrashaphai Santu Ibikramatul Phahalameen Karimun Yartapheeha Wayosassaru Bihillahaya Samaini Ela Motakabberen Sihillaha Yuhee Quid min howa Yapakhara phajjal asari nahone osirom bayjayhalem. Yundan blabin Kajan blnaya khtoryaha sadunya kanateph netephi bejehalin Atadari bilamasa- rateen phakef tasabuhu kaunnieja majekaralhada walador. As hmiman burukankad toluho watastaru hihila Yakajibaymana balay kulk amarena phaneya jaunabilamary Bikramatum".
(Page 315 Sayar-ul-okul).
[Note: The title ‘Saya-ul-okul’ signifies memorable words.]
A careful analysis of the above inscription enables us to draw the following conclusions:
That the ancient Indian empires may have extended up to the eastern boundaries of Arabia until Vikramaditya and that it was he who for the first time conquered Arabia. Because the inscription says that king Vikram who dispelled the darkness of ignorance from Arabia.
That, whatever their earlier faith, King Vikrama’s preachers had succeeded in spreading the Vedic (based on the Vedas, the Hindu sacred scriptures)) way of life in Arabia.
That the knowledge of Indian arts and sciences was imparted by Indians to the Arabs directly by founding schools, academies and cultural centres. The belief, therefore, that visiting Arabs conveyed that knowledge to their own lands through their own indefatigable efforts and scholarship is unfounded.
An ancillary conclusion could be that the so-called Kutub Minar (in Delhi, India) could well be king Vikramadiya’s tower commemorating his conquest of Arabia. This conclusion is strengthened by two pointers. Firstly, the inscription on the iron pillar near the so-called Kutub Minar refers to the marriage of the victorious king Vikramaditya to the princess of Balhika. This Balhika is none other than the Balkh region in West Asia. It could be that Arabia was wrestled by king Vikramaditya from the ruler of Balkh who concluded a treaty by giving his daughter in marriage to the victor. Secondly, the township adjoining the so called Kutub Minar is named Mehrauli after Mihira who was the renowned astronomer-mathematician of king Vikram’s court. Mehrauli is the corrupt form of Sanskrit ‘Mihira-Awali’ signifying a row of houses raised for Mihira and his helpers and assistants working on astronomical observations made from the tower.
Having seen the far reaching and history shaking implications of the Arabic inscription concerning king Vikrama, we shall now piece together the story of its find. How it came to be recorded and hung in the Kaaba in Mecca. What are the other proofs reinforcing the belief that Arabs were once followers of the Indian Vedic way of life and that tranquillity and education were ushered into Arabia by king Vikramaditya’s scholars, educationists from an uneasy period of "ignorance and turmoil" mentioned in the inscription.
In Istanbul, Turkey, there is a famous library called Makhatab-e-Sultania, which is reputed to have the largest collection of ancient West Asian literature. In the Arabic section of that library is an anthology of ancient Arabic poetry. That anthology was compiled from an earlier work in A.D. 1742 under the orders of the Turkish ruler Sultan Salim.
The pages of that volume are of Hareer – a kind of silk used for writing on. Each page has a decorative gilded border. That anthology is known as Sayar-ul-Okul. It is divided into three parts. The first part contains biographic details and the poetic compositions of pre-Islamic Arabian poets. The second part embodies accounts and verses of poets of the period beginning just after prophet Mohammad’s times, up to the end of the Banee-Um-Mayya dynasty. The third part deals with later poets up to the end of Khalif Harun-al-Rashid’s times.
Abu Amir Asamai, an Arabian bard who was the poet Laureate of Harun-al-Rashid’s court, has compiled and edited the anthology.
The first modern edition of ‘Sayar-ul-Okul’ was printed and published in Berlin in 1864. A subsequent edition is the one published in Beirut in 1932.
The collection is regarded as the most important and authoritative anthology of ancient Arabic poetry. It throws considerable light on the social life, customs, manners and entertainment modes of ancient Arabia. The book also contains an elaborate description of the ancient shrine of Mecca, the town and the annual fair known as OKAJ which used to be held every year around the Kaaba temple in Mecca. This should convince readers that the annual haj of the Muslims to the Kaaba is of earlier pre-Islamic congregation.
But the OKAJ fair was far from a carnival. It provided a forum for the elite and the learned to discuss the social, religious, political, literary and other aspects of the Vedic culture then pervading Arabia. ‘Sayar-ul-Okul’ asserts that the conclusion reached at those discussions were widely respected throughout Arabia. Mecca, therefore, followed the Varanasi tradition (of India) of providing a venue for important discussions among the learned while the masses congregated there for spiritual bliss. The principal shrines at both Varanasi in India and at Mecca in Arvasthan (Arabia) were Siva temples. Even to this day ancient Mahadev (Siva) emblems can be seen. It is the Shankara (Siva) stone that Muslim pilgrims reverently touch and kiss in the Kaaba.
Arabic tradition has lost trace of the founding of the Kaaba temple. The discovery of the Vikramaditya inscription affords a clue. King Vikramaditya is known for his great devotion to Lord Mahadev (Siva). At Ujjain (India), the capital of Vikramaditya, exists the famous shrine of Mahankal, i.e., of Lord Shankara (Siva) associated with Vikramaditya. Since according to the Vikramaditya inscription he spread the Vedic religion, who else but he could have founded the Kaaba temple in Mecca?
A few miles away from Mecca is a big signboard which bars the entry of any non-Muslim into the area. This is a reminder of the days when the Kaaba was stormed and captured solely for the newly established faith of Islam. The object in barring entry of non-Muslims was obviously to prevent its recapture.
As the pilgrim proceeds towards Mecca he is asked to shave his head and beard and to don special sacred attire that consists of two seamless sheets of white cloth. One is to be worn round the waist and the other over the shoulders. Both these rites are remnants of the old Vedic practice of entering Hindu temples clean- and with holy seamless white sheets.
The main shrine in Mecca, which houses the Siva emblem, is known as the Kaaba. It is clothed in a black shroud. That custom also originates from the days when it was thought necessary to discourage its recapture by camouflaging it.
According to the Encyclopaedia Britannica, the Kaaba has 360 images. Traditional accounts mention that one of the deities among the 360 destroyed when the place was stormed, was that of Saturn; another was of the Moon and yet another was one called Allah. That shows that in the Kaaba the Arabs worshipped the nine planets in pre-Islamic days. In India the practice of ‘Navagraha’ puja, that is worship of the nine planets, is still in vogue. Two of these nine are Saturn and Moon.
In India the crescent moon is always painted across the forehead of the Siva symbol. Since that symbol was associated with the Siva emblem in Kaaba it came to be grafted on the flag of Islam.
Another Hindu tradition associated with the Kaaba is that of the sacred stream Ganga (sacred waters of the Ganges river). According to the Hindu tradition Ganga is also inseparable from the Shiva emblem as the crescent moon. Wherever there is a Siva emblem, Ganga must co-exist. True to that association a sacred fount exists near the Kaaba. Its water is held sacred because it has been traditionally regarded as Ganga since pre-Islamic times (Zam-Zam water).
[Note: Even today, Muslim pilgrims who go to the Kaaba for Haj regard this Zam-Zam water with reverence and take some bottled water with them as sacred water.]
Muslim pilgrims visiting the Kaaba temple go around it seven times. In no other mosque does the circumambulation prevail. Hindus invariably circumambulate around their deities. This is yet another proof that the Kaaba shrine is a pre-Islamic Indian Shiva temple where the Hindu practice of circumambulation is still meticulously observed.
The practice of taking seven steps- known as Saptapadi in Sanskrit- is associated with Hindu marriage ceremony and fire worship. The culminating rite in a Hindu marriage enjoins upon the bride and groom to go round the sacred fire four times (but misunderstood by many as seven times). Since "Makha" means fire, the seven circumambulations also prove that Mecca was the seat of Indian fire-worship in the West Asia.
It might come as a stunning revelation to many that the word ‘ALLAH’ itself is Sanskrit. In Sanskrit language Allah, Akka and Amba are synonyms. They signify a goddess or mother. The term ‘ALLAH’ forms part of Sanskrit chants invoking goddess Durga, also known as Bhavani, Chandi and Mahishasurmardini. The Islamic word for God is., therefore, not an innovation but the ancient Sanskrit appellation retained and continued by Islam. Allah means mother or goddess and mother goddess.
One Koranic verse is an exact translation of a stanza in the Yajurveda. This was pointed out by the great research scholar Pandit Satavlekar of Pardi in one of his articles.
[Note: Another scholar points out that the following teaching from the Koran is exactly similar to the teaching of the Kena Upanishad (1.7).
The Koran:
"Sight perceives Him not. But He perceives men's sights; for He is the knower of secrets, the Aware."
Kena Upanishad:
"That which cannot be seen by the eye but through which the eye itself sees, know That to be Brahman (God) and not what people worship here (in the manifested world)."
A simplified meaning of both the above verses reads:
God is one and that He is beyond man's sensory experience.
The identity of Unani and Ayurvedic systems shows that Unani is just the Arabic term for the Ayurvedic system of healing taught to them and administered in Arabia when Arabia formed part of the Indian empire.
It will now be easy to comprehend the various Hindu customs still prevailing in West Asian countries even after the existence of Islam during the last 1300 years. Let us review some Hindu traditions which exist as the core of Islamic practice.
The Hindus have a pantheon of 33 gods. People in Asia Minor too worshipped 33 gods before the spread of Islam. The lunar calendar was introduced in West Asia during the Indian rule. The Muslim month ‘Safar’ signifying the ‘extra’ month (Adhik Maas) in the Hindu calendar. The Muslim month Rabi is the corrupt form of Ravi meaning the sun because Sanskrit ‘V’ changes into Prakrit ‘B’ (Prakrit being the popular version of Sanskrit language). The Muslim sanctity for Gyrahwi Sharif is nothing but the Hindu Ekadashi (Gyrah = elevan or Gyaarah). Both are identical in meaning.
The Islamic practice of Bakari Eed derives from the Go-Medh and Ashva-Medh Yagnas or sacrifices of Vedic times. Eed in Sanskrit means worship. The Islamic word Eed for festive days, signifying days of worship, is therefore a pure Sanskrit word. The word MESH in the Hindu zodiac signifies a lamb. Since in ancient times the year used to begin with the entry of the sun in Aries, the occasion was celebrated with mutton feasting. That is the origin of the Bakari Eed festival.
[Note: The word Bakari is an Indian language word for a goat.]
Since Eed means worship and Griha means ‘house’, the Islamic word Idgah signifies a ‘House of worship’ which is the exact Sanskrit connotation of the term. Similarly the word ‘Namaz’ derives from two Sanskrit roots ‘Nama’ and ‘Yajna’ (NAMa yAJna) meaning bowing and worshipping.
Vedic descriptions about the moon, the different stellar constellations and the creation of the universe have been incorporated from the Vedas in Koran part 1 chapter 2, stanza 113, 114, 115, and 158, 189, chapter 9, stanza 37 and chapter 10, stanzas 4 to 7.
Recital of the Namaz five times a day owes its origin to the Vedic injunction of Panchmahayagna (five daily worship- Panch-Maha-Yagna) which is part of the daily Vedic ritual prescribed for all individuals.
Muslims are enjoined cleanliness of five parts of the body before commencing prayers. This derives from the Vedic injuction ‘Shareer Shydhyartham Panchanga Nyasah’.
Four months of the year are regarded as very sacred in Islamic custom. The devout are enjoined to abstain from plunder and other evil deeds during that period. This originates in the Chaturmasa i.e., the four-month period of special vows and austerities in Hindu tradition. Shabibarat is the corrupt form of Shiva Vrat and Shiva Ratra. Since the Kaaba has been an important centre of Shiva (Siva) worship from times immemorial, the Shivaratri festival used to be celebrated there with great gusto. It is that festival which is signified by the Islamic word Shabibarat.
Encyclopaedias tell us that there are inscriptions on the side of the Kaaba walls. What they are, no body has been allowed to study, according to the correspondence I had with an American scholar of Arabic. But according to hearsay at least some of those inscriptions are in Sanskrit, and some of them are stanzas from the Bhagavad Gita.
According to extant Islamic records, Indian merchants had settled in Arabia, particularly in Yemen, and their life and manners deeply influenced those who came in touch with them. At Ubla there was a large number of Indian settlements. This shows that Indians were in Arabia and Yemen in sufficient strength and commanding position to be able to influence the local people. This could not be possible unless they belonged to the ruling class.
It is mentioned in the Abadis i.e., the authentic traditions of Prophet Mohammad compiled by Imam Bukhari that the Indian tribe of Jats had settled in Arabia before Prophet Mohammad’s times. Once when Hazrat Ayesha, wife of the Prophet, was taken ill, her nephew sent for a Jat physician for her treatment. This proves that Indians enjoyed a high and esteemed status in Arabia. Such a status could not be theirs unless they were the rulers. Bukhari also tells us that an Indian Raja (king) sent a jar of ginger pickles to the Prophet. This shows that the Indian Jat Raja ruled an adjacent area so as to be in a position to send such an insignificant present as ginger pickles. The Prophet is said to have so highly relished it as to have told his colleagues also to partake of it. These references show that even during Prophet Mohammad’s times Indians retained their influential role in Arabia, which was a dwindling legacy from Vikramaditya’s times.
The Islamic term ‘Eed-ul-Fitr’ derives from the ‘Eed of Piters’ that is worship of forefathers in Sanskrit tradition. In India, Hindus commemorate their ancestors during the Pitr-Paksha that is the fortnight reserved for their remembrance. The very same is the significance of ‘Eed-ul-Fitr’ (worship of forefathers).
The Islamic practice of observing the moon rise before deciding on celebrating the occasion derives from the Hindu custom of breaking fast on Sankranti and Vinayaki Chaturthi only after sighting the moon.
Barah Vafat, the Muslim festival for commemorating those dead in battle or by weapons, derives from a similar Sanskrit tradition because in Sanskrit ‘Phiphaut’ is ‘death’. Hindus observe Chayal Chaturdashi in memory of those who have died in battle.
The word Arabia is itself the abbreviation of a Sanskrit word. The original word is ‘Arabasthan’. Since Prakrit ‘B’ is Sanskrit ‘V’ the original Sanskrit name of the land is ‘Arvasthan’. ‘Arva’ in Sanskrit means a horse. Arvasthan signifies a land of horses., and as well all know, Arabia is famous for its horses.
This discovery changes the entire complexion of the history of ancient India. Firstly we may have to revise our concepts about the king who had the largest empire in history. It could be that the expanse of king Vikramaditya’s empire was greater than that of all others. Secondly, the idea that the Indian empire spread only to the east and not in the west beyond say, Afghanisthan may have to be abandoned. Thirdly the effeminate and pathetic belief that India, unlike any other country in the world could by some age spread her benign and beatific cultural influence, language, customs, manners and education over distant lands without militarily conquering them is baseless. India did conquer all those countries physically wherever traces of its culture and language are still extant and the region extended from Bali island in the south Pacific to the Baltic in Northern Europe and from Korea to Kaaba. The only difference was that while Indian rulers identified themselves with the local population and established welfare states, Moghuls and others who ruled conquered lands perpetuated untold atrocities over the vanquished.
‘Sayar-ul-Okul’ tells us that a pan-Arabic poetic symposium used to be held in Mecca at the annual Okaj fair in pre-Islamic times. All leading poets used to participate in it.
Poems considered best were awarded prizes. The best-engraved on gold plate were hung inside the temple. Others etched on camel or goatskin were hung outside. Thus for thousands of years the Kaaba was the treasure house of the best Arabian poetic thought inspired by the Indian Vedic tradition.
That tradition being of immemorial antiquity many poetic compositions were engraved and hung inside and outside on the walls of the Kaaba. But most of the poems got lost and destroyed during the storming of the Kaaba by Prophet Mohammad’s troops. The Prophet’s court poet, Hassan-bin-Sawik, who was among the invaders, captured some of the treasured poems and dumped the gold plate on which they were inscribed in his own home. Sawik’s grandson, hoping to earn a reward carried those gold plates to Khalif’s court where he met the well-known Arab scholar Abu Amir Asamai. The latter received from the bearer five gold plates and 16 leather sheets with the prize-winning poems engraved on them. The bearer was sent away happy bestowed with a good reward.
On the five gold plates were inscribed verses by ancient Arab poets like Labi Baynay, Akhatab-bin-Turfa and Jarrham Bintoi. That discovery made Harun-al-Rashid order Abu Amir to compile a collection of all earlier compositions. One of the compositions in the collection is a tribute in verse paid by Jarrham Bintoi, a renowned Arab poet, to king Vikramaditya. Bintoi who lived 165 years before Prophet Mohammad had received the highest award for the best poetic compositions for three years in succession in the pan-Arabic symposiums held in Mecca every year. All those three poems of Bintoi adjudged best were hung inside the Kaaba temple, inscribed on gold plates. One of these constituted an unreserved tribute to King Vikramaditya for his paternal and filial rule over Arabia. That has already been quoted above.
Pre-Islamic Arabian poet Bintoi’s tribute to king Vikramaditya is a decisive evidence that it was king Vikramaditya who first conquered the Arabian Peninsula and made it a part of the Indian Empire. This explains why starting from India towards the west we have all Sanskrit names like Afghanisthan (now Afghanistan), Baluchisthan, Kurdisthan, Tajikiathan, Uzbekisthan,  Iran, Sivisthan, Iraq, Arvasthan, Turkesthan (Turkmenisthan) etc.
Historians have blundered in not giving due weight to the evidence provided by Sanskrit names pervading over the entire west Asian region. Let us take a contemporary instance. Why did a part of India get named Nagaland even after the end of British rule over India? After all historical traces are wiped out of human memory, will a future age historian be wrong if he concludes from the name Nagaland that the British or some English speaking power must have ruled over India? Why is Portuguese spoken in Goa (part of India), and French in Pondichery (part of India), and both French and English in Canada? Is it not because those people ruled over the territories where their languages are spoken? Can we not then justly conclude that wherever traces of Sanskrit names and traditions exist Indians once held sway? It is unfortunate that this important piece of decisive evidence has been ignored all these centuries.
Another question which should have presented itself to historians for consideration is how could it be that Indian empires could extend in the east as far as Korea and Japan, while not being able to make headway beyond Afghanisthan? In fact land campaigns are much easier to conduct than by sea. It was the Indians who ruled the entire West Asian region from Karachi to Hedjaz and who gave Sanskrit names to those lands and the towns therein, introduce their pantheon of the fire-worship, imparted education and established law and order.
It may be that Arabia itself was not part of the Indian empire until king Vikrama , since Bintoi says that it was king Vikrama who for the first time brought about a radical change in the social, cultural and political life of Arabia. It may be that the whole of West Asia except Arabia was under Indian rule before Vikrama. The latter added Arabia too to the Indian Empire. Or as a remote possibility it could be that king Vikramaditya himself conducted a series of brilliant campaigns annexing to his empire the vast region between Afghanisthan and Hedjaz.
Incidentally this also explains why king Vikramaditya is so famous in history. Apart from the nobility and truthfulness of heart and his impartial filial affection for all his subjects, whether Indian or Arab, as testified by Bintoi, king Vikramaditya has been permanently enshrined in the pages of history because he was the world’s greatest ruler having the largest empire. It should be remembered that only a monarch with a vast empire gets famous in world history. Vikram Samvat (calendar still widely in use in India today) which he initiated over 2000 years ago may well mark his victory over Arabia, and the so called Kutub Minar (Kutub Tower in Delhi), a pillar commemorating that victory and the consequential marriage with the Vaihika (Balkh) princess as testified by the nearby iron pillar inscription.
A great many puzzles of ancient world history get automatically solved by a proper understanding of these great conquests of king Vikramaditya. As recorded by the Arab poet Bintoi, Indian scholars, preachers and social workers spread the fire-worship ceremony, preached the Vedic way of life, manned schools, set up Ayurvedic (healing) centres, trained the local people in irrigation and agriculture and established in those regions a democratic, orderly, peaceful, enlightened and religious way of life. That was of course, a Vedic Hindu way of life.
It is from such ancient times that Indian Kshtriya royal families, like the Pahalvis and Barmaks, have held sway over Iran and Iraq. It is those conquests, which made the Parsees Agnihotris i.e., fire-worshippers. It is therefore that we find the Kurds of Kurdisthan speaking a Sanskritised dialect, fire temples existing thousands of miles away from India, and scores of sites of ancient Indian cultural centres like Navbahar in West Asia and the numerous viharas in Soviet Russia spread throughout the world. Ever since so many viharas are often dug up in Soviet Russia, ancient Indian sculptures are also found in excavations in Central Asia. The same goes for West Asia.
[Note: Ancient Indian sculptures include metal statues of the Hindu deity Ganesh (the elephant headed god); the most recent find being in Kuwait].
Unfortunately these chapters of world history have been almost obliterated from public memory. They need to be carefully deciphered and rewritten. When these chapters are rewritten they might change the entire concept and orientation of ancient history.
In view of the overwhelming evidence led above, historians, scholars, students of history and lay men alike should take note that they had better revise their text books of ancient world history. The existence of Hindu customs, shrines, Sanskrit names of whole regions, countries and towns and the Vikramaditya inscriptions reproduced at the beginning are a thumping proof that Indian Kshatriyas once ruled over the vast region from Bali to Baltic and Korea to Kaaba in Mecca, Arabia at the very least.

Sword of truth Aditi Chaturvedi
The following explanation is reproduced from the Sword of Truth archives.
All Arabic copies of the Koran have the mysterious figure 786 imprinted on them . No Arabic scholar has been able to determine the choice of this particular number as divine. It is an established fact that Muhammad was illiterate therefore it is obvious that he would not be able to differentiate numbers from letters. This "magical" number is none other than the Vedic holy letter "OM" written in Sanskrit (Refer to figure 2). Anyone who knows Sanskrit can try reading the symbol for "OM" backwards in the Arabic way and magically the numbers 786 will appear! Muslims in their ignorance simply do not realise that this special number is nothing more than the holiest of Vedic symbols misread.


Figure 2.
Read from right to left this figure
of OM represents the numbers 786
Look at this symbol of Om in a mirror and
you can make out the Devnagari (Sanskrit-Hindi)
numerals 7-8-6

Kabaa-Kabaali-Lord Shiva*
Dear Sir,
First of all I heartly thank for hosting such a beautiful website. I read the message " Is the Kabaa a Hindu temple ???". It was a very Intresting, thought provoking and informative message. I would like to bring to your notice regarding this, that the word Kabaa might have come from the TAMIL language - Kabaalishwaran temple (TAMIL is considered as one of the oldest languages of the world). Dravidian's worshiped Lord Shiva as their Primal Deity - Indus valley civilization. Shiva Temple's in South India are called as Kabaalishwaran temple's. Kabaali - refers to Lord Shiva.



Wednesday, January 16, 2013

Mahakali; The Ferocious Form of Goddess Thurgha




Goddess Kali is a ferocious and fiercest form of the divine mother Durga. Goddess Kali is Durga's darker aspect, who is represented as the consort of the lord Shiva, on whose body she is often seen standing. She is the goddess of time and of the transformation that is death. Lord Shiva and Mother Gauri in their destructive form are known as Mahakala and Mahakali or Kali. Goddess Kali or the Dark Mother is the goddess with whom devotees have a very loving bond, in spite of her fearful appearance. In this relationship, the worshipper becomes a child and Kali assumes the form of the caring mother. She is sometimes referred as the goddess of death, but actually Kali brings the death of the ego. She is the all pervading divine mother of the universe and her name in Sanskrit is derived from the word Kal which means time. She is also not associated with Yama (the Hindu God of Death). She is also known as Kalikamata and Kalaratri (black night), who is worshipped particularly in Bengal. Her best-known temples are in Kalighat and Dakshineshvara. 

Goddess Kali is the most compassionate of all the forms of goddesses and she provides salvation to the devotees. She is considered equivalent to lord Shiva because both of them are the destroyers of evils and demonic powers. Goddess Kali’s appearance is fearsome and dangerous, baleful eyes, a protruding tongue and four arms are fearful. In her two arms, she holds a bloody sword and a severed head of a demon. With her upper right hand she blesses her devotees. She wears a garland made of skulls and a belt made of dismembered arms of demons. As the Divine Mother she is often represented standing or dancing on Shiva with numerous hands and legs.

Goddess Kali and Lord Shiva, both are considered to inhabit cremation grounds. Devotees go to these places to meditate with the purpose of overcoming the ego. The cremation grounds emphasize the idea that the body is temporary. The way people look and worship goddess Kali depends on the form of their sense of self. She most famously appears in the sixth century Devi Mahatmyam as one of the Shaktis of the divine mother, who killed the demon Raktabija. The tale of Raktabija can be found in the eight chapter of the Devi Maytram. Raktabija was a powerful demon, who got a boon from Lord Brahma, whenever a drop of his blood fell on the ground; a duplicate Raktabija would be born at that spot. Raktabija was wounded, but drops of blood falling on the ground created innumerable other Raktabijas, and Durga was in difficulty. At this point, the goddess Durga created Kali, who made her tongue onto the earth, and sucked off the blood of Raktabija, thus Raktabija was killed. 

The tenth century Kalika Purana venerates Kali as the ultimate reality or Brahman. The Tantric approach to Kali is to display courage by confronting her on cremation grounds in the dead of night, despite her terrible appearance. She is often regarded as the Shakti of Shiva, and is closely associated with him in various Puranas. The Kalika Purana depicts her as Adi Shakt. She is free from the illusory covering and beyond the all maya or false consciousness. Kali's garland of fifty human heads stands for the fifty letters in the Sanskrit alphabet. The common images of goddess Kali shows her, standing with one foot on Shiva's chest, with her enormous tongue stuck out. Goddess Kali is commonly associated with death, violence, sexuality and paradoxically with motherly love. Her appearance and ornaments has special significance and meaning. The garland of 52 skulls and her skirt made of dismembered arms symbolizes the destruction of the body and hence the ego attached with the body.All paintings are courtesy of Art of legend India. Source: Click Here

Tuesday, January 15, 2013

Newly Painted Hanuman Statue


The statue that I have painted on the day of Christmas 2012. It takes me around 10 hours to prepare it. Behalf of it,  I used the same image to wish birthday wishes to all Hindus whom celebrates Hanuman Jayanthi the following month. For more info... Check out Artwork Of Kirhu

Tuesday, January 8, 2013

Sri Maha Meru/ Sri Chakra



The Maha Meru is the three-dimensional form of the Sri Chakra, the cosmic symbol of the Divine Feminine Archetype. This figure represents all of the secrets and mysteries of the universe. The conical shape of this Maha Meru resembles a pyramid with 9 subdivisions or phases called “Nava Avarnam”. The top most point is called “Bindu” where Goddess Shakti abides along with her consort Lord Shiva (the ultimate union of cause and effect- creation).

It is said that the progression up the ‘steps’ or phases represents the stages towards enlightenment. The Meru is the concentrated form of a million Goddesses’ energy in one sacred form, which transmits energies for prosperity and good fortune. Maha Meru not only blesses you with wealth but also energizes you to get rid of all the misfortunes and obstacles in your life. The Meru’s secrets are mostly hidden even to the most ardent of students. You may wish to learn more with searches on the web.Source:


Image Courtesy: http://www.hinduvedhas.com/2012/08/page/2/

Thursday, November 22, 2012

Classes and Orders


People from Penang (Gelugor) can contact Ms Gayathiri Superamaniam.

People from KL area, kindly contact the numbers given in the brochure above...Thanks...

NADUVAN- THE FINAL JUDGEMENT


Agenda Suria Communication and Asthana Arts presents a bilingual theatre / dance NADUVAN THE FINAL JUDGEMENT, 7.30 pm on 30th Nov ( student passes) , 1st & 2nd Dec 2012 at Auditorium DBKL Jalan Raja Laut.

Artistic direction of Asthana Arts...
and Ravi Shanker explores the sins of human beings and their karma in after world. The final judgement is from omnipresent SHIVA himself. Who will attain moksha who will be reborn? A beautiful story in contemporary setting. It was restaged dance drama after received overwhelming response from public when it was held for first time in July. Don't missed the final chance to watch the drama.

Ticket price : RM 50.00 and please call Agenda Suria Communication at 03-22785555 or 0126966407



Monday, September 24, 2012

Why we wear garland of lemon to Mother Kaalee?


Each Lemon is a representation Of Nara Munda. Which actually our Maa Kali wears.Mala of Nara Mundas. One of the stories, In Sanskrit, lemon is translated as "Nimbu phala". According to
mythology, once there lived a demon by name NimbAsura. He created havoc on earth by means of a great femine. Sage Agasthya did great penance,contemplating on the Mother to end the demon's misdeeds. Pleased with the sage's penance, the Mother appeared and killed Nimbasura thus ending the great femine. She brought back vegetation on earth and since then she is worshiped as SHAKHAMBARI (Sanskrit "Shakha" - vegetation).

Before dying, the demon gained divine knowledge and prayed the Mother to give him permanent place in her holy feet. The Kindest Mother gave him the boon that henceforth NimbAsura shall adore her in the form of Nimbu phala. Devi ShakhAmbari is also worshiped as Banashankari, the distorted form of Vanashankari. The mula sthana (original place) where the Mother took the form of SHAKHAMBARI is Badami, Karnataka. Around 100 years ago, a temple was built for her in Bangalore and the locality is famous by the name Banashankari. Courtesy: Unknown gurubandhu posted an article in Indiadevine.org.
Smaller In Size N has the property of Munda....... And Lemon also used for all kind of Tantrik kriyas.....as Nara Munda Also.

Tuesday, July 10, 2012

NADUVAN - A CONTEMPORARY THEATRE/ DANCE


After 6 great production's of Asthana Arts - Mahakavi, Varna, Theeratha Taagam, Panchasunthara, Thirunangai and Divas and Devas, now the Malaysia's new age dance studio with Dr. Burn's Sollisai Nation and the Support of Jabatan Kebudayaan dan Kesenian Negara , presents a contemporary dance / theatre presentation NADUVAN based on Malaysia's well known Entertainer, Dr. Burn's single Naduvan.

Set in a metropolitan city, 7 youngsters waits after life at the gate of Heaven and Hell. They argue who should have the better after life comparing their deeds in the previous world. Each had desires that let them to imperfection. The 6 sins of Arishadvargas - Lust ( kaamam) , Greed ( Lobham) , Sloth ( Mogham), Envy ( Matsaryam) , Pride ( Ahankaram) and Anger ( Krodham) , are some of the sin they have committed. is there enough time for them to repent?? What are the final moments of life is like?? What happens to the friends and family?? The Final decision is by NADUVAN....in fact he was all the while watching each of them...each of their movements, each of their action....

Mathevi, a pure athma, reminds back all of them what they have done. She flashbacks each of them to the world that once upon time was theirs. Mathevi explain life and athma’s journey based on Garuda Purana and the how to achieve moksha.

The greed sold her husband’s body organs to buy jewellery
The pride, being too cruel and unsympathetic, killed an unborn child.
The Envy for her to be Number 1, splashed acid to a naïve girl
The anger killed an innocent bystander and paralyzed him
The Sloth, for drugs and pleasures, took the life out from young university boy.
The Lust , made a young girl to be prostituted destroying her future.

Naduvan is the Shiva himself. He saw all this, is coming with red fiery eyes, body stashed with ash, with matted locks, dancing his TANDAVA, gripping the lost souls.

Featuring Malaysia's well known singer in his first ever theatre debut Ganeson Mahoharan, with Devi Letchuman, Veeramathevi Sundram, Kumaresan of previous Theeratha taagam production, Selva, Rey , Kirhu, Sharmila Kathirvelu, SuriyakUmari, Rathipritah , Uganthana and Mahalingam . Also dancers : Thinesh Rajaindran, Kannan Rajamanickam , Sathish Vadivelu , Pavethiran Raj, Thanenthiran Maruthai, Nesh Kumar, Khritiharan, Hema Malini Samy, Shuba, Dhanya Rajadram , Logini, Tina Ruby and Aahmu Thirunyanam . Dance choreographers include Geethashankaran Lam of Geethshankaran dance, Rithaudin Abdul Kadir of Universiti Malaya and Hema Malini .

Date : 21st July 2012 ( Saturday)
Time : 8.00pm
Venue : The Shanthanand Auditorium , Temple of Fine Arts Brickfields Kuala Lumpur
Entrance by : RM30, RM 50 , RM100.

Further informatoon : ravi Shanker 012 6966 407 / Chris 014 263 6135
email : info@asthanaarts.com
www.asthanaarts.com / facebook Asthana Arts kuala lumpur


"I am having a role as Sloth which is describing an boy which involved in drug addiction. That particular person having a group of friends in his activities while sharing needles to insert that drugs in their body. One day, they saw a student who dressed formally and he is wearing a gold chain on his neck. While they are aiming to get that chain to sell and gain profit to buy more drugs, they accidently killed that student. This story refers to the Sloth (Kirhu) for killing a future generation who suppose to be an doctor or lawyer or even any of those white collared profession in his future. The soul of Sloth will be enlightenth by Naduvan in the end of  his journey on the Dark World. What will be Naduvan's judgement for Sloth Athma? Stay tuned for Naduvan's presence!!! Kindly attend the event and gain something that u will not see else where...NADUVAN...WAITS U..." Kirhu... C U THERE!!!

Sunday, June 17, 2012

12 Indian foods that cut fat


Here are 12 foods that can help you lose weight and gain health: 
Turmeric : 
Regular intake may help reduce low-density lipoprotein (LDL) or bad cholesterol and high blood pressure, increase blood circulation and prevent blood clotting, helping to prevent heart attack. 
Cardamom :

This is a thermogenic herb that increases metabolism and helps burn body fat. Cardamom is considered one of the best digestive aids and is believed to soothe the digestive system and help the body process other foods more efficiently.

Chillies : 
Foods containing chillies are said to be as foods that burn fat. Chillies contain capsaicin that helps in increasing the metabolism. Capsaicin is a thermogenic food, so it causes the body to burn calories for 20 minutes after you eat the chillies.
Curry leaves :

Incorporating curry leaves into your daily diet can help you lose weight. These leaves flush out fat and toxins, reducing fat deposits that are stored in the body, as well as reducing bad cholesterol levels. If you are overweight, incorporate eight to 10 curry leaves into your diet daily. Chop them finely and mix them into a drink, or sprinkle them over a meal.
Garlic :

An effective fat-burning food, garlic contains the sulphur compound allicin which has anti-bacterial effects and helps reduce cholesterol and unhealthy fats.
 
Mustard oil :

This has low saturated fat compared to other cooking oils. It has fatty acid, oleic acid, erucic acid and linoleic acid. It contains antioxidants, essential vitamins and reduces cholesterol, which is good for the heart.

Cabbage :

Raw or cooked cabbage inhibits the conversion of sugar and other carbohydrates into fat. Hence, it is of great value in weight reduction.
Moong dal :

The bean sprouts are rich in Vitamin A, B, C and E and many minerals, such as calcium, iron and potassium. It is recommended as a food replacement in many slimming programmes, as it has a very low fat content. It is a rich source of protein and fibre, which helps lower blood cholesterol level. The high fibre content yields complex carbohydrates, which aid digestion, are effective in stabilising blood sugar and prevent its rapid rise after meal consumption.
Honey :

It is a home remedy for obesity. It mobilises the extra fat deposits in the body allowing it to be utilised as energy for normal functions. One should start with about 10 grams or a tablespoon, taken with hot water early in the morning.
Buttermilk :

It is the somewhat sour, residual fluid that is left after butter is churned. The probiotic food contains just 2.2 grams of fat and about 99 calories, as compared to whole milk that contains 8.9 grams fat and 157 calories. Regular intake provides the body with all essential nutrients and does not add fats and calories to the body. It is thus helpful in weight loss.

Millets : 
Fibre-rich foods such as millets - jowar, bajra, ragi, etc - absorb cholesterol and help increase the secretion of the absorb cholesterol and help increase the secretion of the bile that emulsifies fats.
Cinnamon and cloves:
Used extensively in Indian cooking, the spices have been found to improve the function of insulin and to lower glucose, total cholesterol, LDL and triglycerides in people with type 2 diabetes.

KILLING OF SHUMBA AND NISHUMBA



Once upon a time there lived two demon brothers Shumba and Nishumba who had the ambition to rule the world and treat all the people as their servant. They wanted to acquire power. In order to fulfill their aim, they prayed to Lord Brahma with utter devotion. Pleased with their false show of sincerity Lord Brahma granted them a boon. The boon made them almost invincible as they were given the power that no one other than a woman would be able to kill them. Both Shumba and Nishumba were pleased on receiving it as they felt that no woman was so strong as to kill both of them. Blessed with the boon both the brothers started creating havoc in the universe. They tormented all the living creatures, terrorized the people and even forced the Saints and the Brahmins to worship them if they wanted to live.

Terror and fear enveloped the entire universe and both the brothers grew arrogant and more powerful because of the boon they had received. Even the other Gods were unable to stop them and felt helpless. All the Gods became worried and started thinking of a way to defeat both Shumba and Nishumba. As all the Gods were discussing about their plans, Goddess Parvati saw all of them. She listened to their stories about the injustice and cruelty of both the demon brothers on the whole world and how they had become arrogant. Maa Parvati became furious on hearing about such unashamed display of power by Shumba and Nishumba and decided to teach them a lesson. She assured all other Gods that their concern will be taken care of. With her powerful and divine energies, she created another Goddess from her own being called “Kaushiki”. Kaushiki was ravishingly beautiful and there was an aura and charm around her personality. Soon word spread about her beauty and reached Shumba and Nishumba. They were excited on hearing about the description of Kaushiki from their followers and so each of them sent a marriage proposal to her.

On receiving the proposal Kaushiki replied that she had taken a vow to marry the person who was able to defeat her in a battle with their army. Shumba and Nishumba were pleased on hearing this as they felt that they could easily defeat Kaushiki and then marry her. They thought the battle as a formality and so sent their army along with the generals to defeat her and bring her to them. But Kaushiki being an avatar of Maa Durga was very powerful and strong. She defeated the huge army of Shumba and Nishumba single handedly with ease. She then challenged Shumba and Nishumba to come and fight with her to marry her.

Shumba and Nishumba were shocked and angry on hearing that Kaushiki had wiped out their army. They decided to take their revenge and so went to the battlefield where Kaushiki was waiting for them. As both the demon brothers as well as Kaushiki were very powerful, a fierce and tough battle ensued between them. Shumba and Nishumba used their cunning strategies to defeat Kaushiki but each of the time Kaushiki was able to control them. Finally in order to kill the brothers, Kaushiki decided to enhance her powers. She used the energies or the Shakti of seven Gods who came to assist her in the battle. Theses energies fought a fierce battle and killed Nishumba. Shumba now grew frightened and knew that this woman was not an ordinary woman. Knowing that his end was near, he infuriated Kaushiki by saying that she was not as powerful as him and had to take the help of seven other Gods to kill his brother. Hearing this Kaushiki said that the time has come to show you who is more powerful. She eventually merged the energies of all the Gods into herself and killed Shumba. Thus she preached the message of victory of goodness over evil and helped to restore peace, harmony and love in the world once again.

Learning from the story
This story teaches us about the power of Maa Durga. It presents a twin facet to Maa Durga’s personality both as the stunningly beautiful and charming Goddess as well as the deadly Goddess who wipes out all the evil forces. It preaches us the message that no matter how much powerful and strong you are but if you use that power for illegitimate and deceitful purposes, ultimately you will have to pay for your misdeeds by being defeated or killed. This story also teaches us that we should never under estimate our opponent in a battle or a competition. We should not be over-confident about our supremacy but instead should analyse the opponent and develop the strategies to counter him/her.

Shumba and Nishumba under estimated the power of a woman to defeat them both when they received the boon and when Kaushiki invited them for a battle. They had grown blind with arrogance and superiority because of which they had to pay the price in the end.

The moral of this story is that we should live a simple, humble and a peaceful life. Even if we acquire the status, resources and power in the society, we should use it for productive purposes and to help the mankind rather than create destruction, terror and hatred with the misuse of our power and position. Only when you help and care for others can you think of receiving the same treatment in return.


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